![]() ![]() This process is interesting because of the mixing of Western and Eastern artistic trends emerged new features in the national art. Byzantine art, leaving aside individual manifestations, has lost any influence on Western art, now, on the contrary, Western art has decisively penetrated the ancient regions of the sacred east. Dalmatia was already proud of such artists as Luciano Laurana, Francesco Laurana and Giovanni Trau (Dalmata). The Dalmatian coast and the Ionian Islands have long been in the artistic and historical respect of the province of Italy. the first country north of the Alps, which passionately rushed into the arms of the Italian Renaissance. Hungary, which received Romance and Gothic art in addition to Germany, was in the XV century. Poland, as Sokolovsky found out, from the very beginning of the XVI century resolutely turned to the Italian Renaissance, in the XV century. ![]() Together with the western church in Poland, Hungary and on the eastern shore of the Adriatic Sea dominated the influence of German and Italian art. Everywhere, where the domination of the Orthodox Greek Church reached, in this whole area and after the fall of Constantinople (1453), Byzantine art formed the basis of all artistic life: first of all, in the Greek-speaking part of the Balkan Peninsula, in Serbia and in Russia. The Christian East begins on the eastern borders of Scandinavia, Germany and Italy. ![]()
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